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My photographic projects are devoted to the welfare of indigenous and
tribal people. My intention is to help bring attention to the value these
cultures represent and the challenges they face.
The problem
We are living in an era of unprecedented cultural extinction. Indigenous
and tribal cultures that have survived for hundreds—sometimes thousands
–of years may soon be gone. A recent study made by the linguist
Ken Hale of the Massachusetts Institute of Technology estimates that 3,000
of the 6,000 languages that exist in the world today are fated to die
because they are no longer spoken by the children. The implications of
this fact are startling. In one generation our cultural diversity will
be halved. This diversity of knowledge, imagination, and belief that has
helped to provide the creativity, resiliency and strength of our species
is being dismantled. The fragile oral traditions that have held an encyclopedic
body of knowledge about the natural world are being lost.
Indigenous peoples have been threatened for centuries as economic interests
and nation states have encroached on their lands. Although colonial and
imperial pressures are still present, a more insidious problem lies with
the children of these cultures. Entranced by images of the wealth and
power of the First World, the young are turning away from their traditions.
Most of these young people migrate to the cities and end up as marginalized
beings never truly benefiting from the illusion they chase. As people
they do not disappear; they live on, but the very essence of their culture
is extinguished, leaving them shadows of their former selves and shadows
of those they want to imitate in the developed world.
My projects
BRIDGES is an online classroom program connecting children from indigenous
and tribal cultures with their urban contemporaries for the purpose of
honoring and exploring cultural diversity. Using storytelling through
photography and audio arts, the students learn from and with each other
and from their elders. With BRIDGES unique approach, students are mentored
in becoming online content providers by portraying themselves and their
way of life from their own point of view.
The Tibetan Portrait exhibit and book
were created to bring attention to the oppression of a deeply spiritual
culture by a more powerful nation state. I saw the Tibetan conflict as
another example in a repeating pattern of cultural genocide against indigenous
people--a pattern that unfortunately continues to this day.
The Enduring Spirit exhibit and book were created in conjunction
with Amnesty International’s celebration of the 50th anniversary
of the Universal Declaration of Human Rights. The UDHR is a revolutionary
document governing human rights that cut across all geographic, political
and religious lines. Arguably the most important document created by mankind,
it was adopted by all the nations of the world. It was a great honor to
take part in Amnesty’s recommitment effort to this epic document.
The book The Gift was created for Interplast, a non-profit organization
that sends medical teams to perform cleft palate surgeries on children
in remote communities around the world. Interplast volunteers make every
effort to share medical ideas and work with the healers in the indigenous
communities served. Their ‘incubator’ program trains local
doctors to perform the surgeries so the work can continue in Interplast’s
absence.
Blue Earth Alliance is a non-profit organization that provides support
for individuals producing photographic projects that educate the public
about endangered environments and threatened cultures.
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Phil Borges
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Exhibitions
Inventory
Journals
About the Artist
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Phil
Borges in Quechua, Peru
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